

Birkin (2022)
23.8"×17.9" (606mm×455mm)
Acrylic paint on canvas

Bardot (2022)
10.7"×8.6" (273mm×220mm)
Silkscreen, Acrylic, Spray on panel

Monroe (2023)
35.8"×25.6" (910mm×652mm)
Silkscreen, Acrylic, Spray on panel

Hepburn (2023)
35.8"×25.6" (910mm×652mm)
Silkscreen, Acrylic, Spray on panel

Portman (2023)
28.6"×20.8" (727mm×530mm)
Silkscreen, Acrylic, Spray on panel

Grace (2023)
23.8"×17.9" (606mm×455mm)
Silkscreen, Acrylic, Spray on panel
NEUNOA
Working under the name NEUNOA, the artist explores themes of identity, perception, and the fragile relationship between individuals and their public image. Often drawing from well-known cultural figures, the works blur recognition through expressive gestures and layered surfaces, challenging viewers to reconsider what remains when familiarity begins to dissolve.
What fascinates me about NEUNOA's work is that recognition is never the final destination.
Many of the subjects begin as familiar faces. We think we know them. We associate them with stories, achievements, controversies, or carefully constructed public identities. Yet through layers of paint and deliberate distortion, certainty starts to disappear. What remains is not a celebrity, but a question.
In a time when images circulate faster than ever and personal identity is increasingly shaped by visibility, NEUNOA's work feels especially relevant. The paintings seem to ask how much of a person can truly be understood through the image they project—or through the image we consume.
I find that tension compelling. Rather than documenting individuals, the work explores the unstable space between who someone is, who they appear to be, and who we imagine them to be. For me, that conversation extends far beyond any single subject and speaks directly to the way we navigate identity in contemporary life.